Workflow-publish: adapt additions to Asciidoc
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2 changed files with 80 additions and 26 deletions
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@ -54,17 +54,18 @@ Examples of such personas could be:
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post-production of a film are handled by different people: assisant editors, colorists,
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post-production of a film are handled by different people: assisant editors, colorists,
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audio engineers, etc.
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audio engineers, etc.
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** The allround contracted editor who handles all aspects of post-production
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** The allround contracted editor who handles all aspects of post-production
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** The freelance editor who does both commisioned work and passion projects
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◦ The freelance editor who does both commisioned work and passion projects
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** The allround artistic/indie filmmaker, who also edits
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** The allround artistic/indie filmmaker, who also edits
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** The allround social media creator who values the use of visual effects, motion graphics
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** The allround social media creator who values the use of visual effects, motion graphics
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and sound effects.
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and sound effects.
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+
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And a few subtypes:
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And a few subtypes:
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** The free-flowing editor who doesn't have a fixed idea of how the edit should be and
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+
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*** The free-flowing editor who doesn't have a fixed idea of how the edit should be and
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instead wants to play and move things around, and who might not work in a linear
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instead wants to play and move things around, and who might not work in a linear
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fashion: they might do a bit of color correction to get a better sense of how a scene feels,
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fashion: they might do a bit of color correction to get a better sense of how a scene feels,
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then go back to editing, etc.
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then go back to editing, etc.
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** The editor who has the film already cut in their head and have a very strong sense of
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*** The editor who has the film already cut in their head and have a very strong sense of
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what they want to do and work in a very structured way towards accomplishing this
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what they want to do and work in a very structured way towards accomplishing this
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vision.
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vision.
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+
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+
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@ -86,9 +87,7 @@ was, we should make an attempt to understand this reasoning. Some designs might
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come from technical limitations, and others might have had really clever thinking behind
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come from technical limitations, and others might have had really clever thinking behind
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them. Let's see what we can learn from that.
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them. Let's see what we can learn from that.
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•
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* Ideally we should also include workflows for editors using XR headsets in combination with
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Ideally we should also include workflows for editors using XR headsets in combination with
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controllers or even hand tracking. While I do have a headset at work that I experiment with,
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controllers or even hand tracking. While I do have a headset at work that I experiment with,
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we might want someone with actual XR design skills to be involved here.
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we might want someone with actual XR design skills to be involved here.
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@ -418,6 +417,7 @@ Currently I'm thinking of using this bar on two or three occasions:
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Colors could be used (for example as an outline around the bar) to indicate which contextual mode
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Colors could be used (for example as an outline around the bar) to indicate which contextual mode
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is active.
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is active.
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A limitation of such a bar is that it might overlap with content that a user wishes to interact with. If
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A limitation of such a bar is that it might overlap with content that a user wishes to interact with. If
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this is the case, then clicking on the grid with dots will let a user drag this bar out of the way. As an
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this is the case, then clicking on the grid with dots will let a user drag this bar out of the way. As an
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extra option I would like to suggest to use a modifier key (Ctrl?) which temporarily hides the
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extra option I would like to suggest to use a modifier key (Ctrl?) which temporarily hides the
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@ -551,7 +551,7 @@ Premiere you can choose how large the steps are, Resolve only supports single se
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Combining mouse and keyboard:
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Combining mouse and keyboard:
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* Adobe Premiere and several DAWs (Ardour, Reaper) have a "move playhead to cursor"
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* Adobe Premiere and several DAWs (Ardour, Reaper) have a ``move playhead to cursor''
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feature that can be bound to a key. Very useful! Resolve has added this in version 20.1 as
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feature that can be bound to a key. Very useful! Resolve has added this in version 20.1 as
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well.
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well.
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@ -719,10 +719,10 @@ Selection will be one of the previously mentioned _contextual modes._ The user c
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their previous selection until they make a new one, by pressing the corresponding keyboard shortcut
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their previous selection until they make a new one, by pressing the corresponding keyboard shortcut
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(S).
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(S).
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Most NLE's have functions for selecting many clips at once, called ‘select forward’ and ‘select
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Most NLE's have functions for selecting many clips at once, called ``select forward'' and ``select
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backward’. In Adobe Premiere these are tools: click and you select all clips to either the left or right
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backward''. In Adobe Premiere these are tools: click and you select all clips to either the left or right
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of the mouse cursor, and using Shift will toggle between selecting all clips on a single track or on
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of the mouse cursor, and using Shift will toggle between selecting all clips on a single track or on
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all tracks (it doesn’t respect track activation status though, which it should). Other NLE's (Resolve,
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all tracks (it doesn't respect track activation status though, which it should). Other NLE's (Resolve,
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Avid, Lightworks) only have keyboard shortcuts for these functions, which do only affect activated
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Avid, Lightworks) only have keyboard shortcuts for these functions, which do only affect activated
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tracks. This is a bit faster: in Premiere you need to switch to the Select Forward/Backward Tool,
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tracks. This is a bit faster: in Premiere you need to switch to the Select Forward/Backward Tool,
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make your selection, then switch back to your previous tool. With a keyboard shortcut you only
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make your selection, then switch back to your previous tool. With a keyboard shortcut you only
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@ -780,7 +780,7 @@ pressing the Ctrl modifier will inverse a tool's mode of operation.
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* Resolve talks in terms of modes, not tools, and it has two modes related to trimming: the
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* Resolve talks in terms of modes, not tools, and it has two modes related to trimming: the
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default Selection Mode and Trim Edit Mode. The latter lets you ripple trim (by dragging the
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default Selection Mode and Trim Edit Mode. The latter lets you ripple trim (by dragging the
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edges of clips), slip (dragging inside a clip, upper half) and slide (dragging inside a clip,
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edges of clips), slip (dragging inside a clip, upper half) and slide (dragging inside a clip,
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lower half) - more on slip and slide edits later.
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lower half) -- more on slip and slide edits later.
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* Avid has a trim mode that can be in overwrite trim or ripple trim mode, indicated by the
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* Avid has a trim mode that can be in overwrite trim or ripple trim mode, indicated by the
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color of the trim sides (red or yellow). The timeline will be in either of these modes when
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color of the trim sides (red or yellow). The timeline will be in either of these modes when
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@ -833,6 +833,7 @@ Adding additional trim sides often works by using a modifier like Ctrl + left cl
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Lightworks, Avid). FCP does not allow the selection of multiple trim sides and therefore does not
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Lightworks, Avid). FCP does not allow the selection of multiple trim sides and therefore does not
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support _asymmetric trimming._ Such trims are still possible, but need to be performed in
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support _asymmetric trimming._ Such trims are still possible, but need to be performed in
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multiple steps rather than one.
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multiple steps rather than one.
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Keyboard selection of trim sides happens in general by providing shortcuts for selecting the left (A)
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Keyboard selection of trim sides happens in general by providing shortcuts for selecting the left (A)
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side, the right (B) side, or both, of a cut (Avid, Premiere, Resolve and FCP, although the latter does
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side, the right (B) side, or both, of a cut (Avid, Premiere, Resolve and FCP, although the latter does
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not have a shortcut for selecting both sides as it uses a dedicated Trim tool for roll edits). This
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not have a shortcut for selecting both sides as it uses a dedicated Trim tool for roll edits). This
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@ -872,10 +873,9 @@ entered amount of frames.
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3. Dynamic trimming. This means moving the cut (or slipping or sliding a clip) by using the
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3. Dynamic trimming. This means moving the cut (or slipping or sliding a clip) by using the
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JKL-playback controls. Avid and Lightworks have dynamic trimming support within their
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JKL-playback controls. Avid and Lightworks have dynamic trimming support within their
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trim modes. Resolve has a separate switch for this that needs to be toggled, and Premiere has
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trim modes. Resolve has a separate switch for this that needs to be toggled, and Premiere has
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a separate mode for dynamic trimming, simply called ``Trim Mode''. FCP does not seem to
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a separate mode for dynamic trimming, simply called ‘Trim Mode’. FCP does not seem to
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support dynamic trimming at the time of writing -- although some people disagree and say
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support dynamic trimming at the time of writing - although some people disagree and say
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that the ``Extend Edit'' function, when used in the Precision Editor, achieves a similar result.
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that the ‘Extend Edit’ function, when used in the Precision Editor, achieves a similar result.
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4. All of the big NLE's have keyboard shortcuts that will trim either the start or the end of a
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4. All of the big NLE's have keyboard shortcuts that will trim either the start or the end of a
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clip to the position of the playhead, in ripple and non-ripple flavors.
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clip to the position of the playhead, in ripple and non-ripple flavors.
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@ -960,10 +960,7 @@ In general, we find the following options to remove clip from a timeline:
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* Select a clip, then: backspace or delete key, or (ripple) cut command.
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* Select a clip, then: backspace or delete key, or (ripple) cut command.
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* In and out points, then lift or extract.
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* In and out points, then lift or extract.
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* Lightworks lets you remove a clip by dragging it outside of the timeline window.
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* Lightworks lets you remove a clip by dragging it outside of the timeline window.
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* Trimming a clip so it will end up with a duration of 0 frames.
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•
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Trimming a clip so it will end up with a duration of 0 frames.
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These operations are so common that I would not change them.
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These operations are so common that I would not change them.
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@ -140,7 +140,8 @@
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<node CREATED="1755559679690" ID="ID_977787374" MODIFIED="1755559691735" TEXT="need diagnostics"/>
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<node CREATED="1755559679690" ID="ID_977787374" MODIFIED="1755559691735" TEXT="need diagnostics"/>
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</node>
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</node>
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</node>
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</node>
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<node CREATED="1755556219662" ID="ID_254042943" MODIFIED="1755556223566" POSITION="left" TEXT="Veröffentlichung">
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<node COLOR="#435e98" CREATED="1755556219662" ID="ID_254042943" MODIFIED="1755967707897" POSITION="left" TEXT="Veröffentlichung">
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<icon BUILTIN="go"/>
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<node COLOR="#44169d" CREATED="1755556232186" ID="ID_807805995" MODIFIED="1755556248453" TEXT="»Workflow Proposal Verwijlen«">
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<node COLOR="#44169d" CREATED="1755556232186" ID="ID_807805995" MODIFIED="1755556248453" TEXT="»Workflow Proposal Verwijlen«">
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<font BOLD="true" NAME="SansSerif" SIZE="12"/>
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<font BOLD="true" NAME="SansSerif" SIZE="12"/>
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<node BACKGROUND_COLOR="#d2beaf" COLOR="#5c4d6e" CREATED="1755814442235" ID="ID_368823614" MODIFIED="1755821389719" TEXT="beginne mit der Version von 04 Apr 2025 22:17:43">
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<node BACKGROUND_COLOR="#d2beaf" COLOR="#5c4d6e" CREATED="1755814442235" ID="ID_368823614" MODIFIED="1755821389719" TEXT="beginne mit der Version von 04 Apr 2025 22:17:43">
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@ -151,8 +152,7 @@
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Mail-Thread "Workflow and Structure"
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Mail-Thread "Workflow and Structure"
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</p>
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</p>
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</body>
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</body>
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</html>
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</html></richcontent>
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</richcontent>
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<icon BUILTIN="Mail"/>
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<icon BUILTIN="Mail"/>
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</node>
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</node>
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<node BACKGROUND_COLOR="#d2beaf" COLOR="#5c4d6e" CREATED="1755896494905" ID="ID_1322570501" MODIFIED="1755912269756" TEXT="zweite Version war vom 2025-06-29 14:33:16 +0200">
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<node BACKGROUND_COLOR="#d2beaf" COLOR="#5c4d6e" CREATED="1755896494905" ID="ID_1322570501" MODIFIED="1755912269756" TEXT="zweite Version war vom 2025-06-29 14:33:16 +0200">
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@ -163,14 +163,71 @@
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Mail-Thread "Workflow document update"
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Mail-Thread "Workflow document update"
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</p>
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</p>
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</body>
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</body>
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</html></richcontent>
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<icon BUILTIN="Mail"/>
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</node>
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<node BACKGROUND_COLOR="#d2beaf" COLOR="#5c4d6e" CREATED="1755963266557" ID="ID_1563736344" MODIFIED="1755967698041" TEXT="dritte Version (Korrekturen) von 19 Aug 2025 19:26:22 +0200">
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<richcontent TYPE="NOTE"><html>
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<head>
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</head>
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<body>
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<p>
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Mail-Thread "Workflow document update", direkt nach unserem Treffen auf der FrOSCon
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</p>
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</body>
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</html>
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</html>
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</richcontent>
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</richcontent>
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<icon BUILTIN="Mail"/>
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<icon BUILTIN="Mail"/>
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<node CREATED="1755963348961" ID="ID_16779925" MODIFIED="1755963350454" TEXT="Bilder">
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<node BACKGROUND_COLOR="#e0ceaa" COLOR="#690f14" CREATED="1755963351258" ID="ID_1848861976" MODIFIED="1755963419217" TEXT="Bild-12 : 05-contextual-bar.png">
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<richcontent TYPE="NOTE"><html>
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<head>
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</head>
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<body>
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<p>
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minimale Abweichungen: Wouter hat das Handle der Overlay-Bar schmaler gemacht
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</p>
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</body>
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</html>
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</richcontent>
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<icon BUILTIN="messagebox_warning"/>
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</node>
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<node COLOR="#824398" CREATED="1755963442861" ID="ID_1488390130" MODIFIED="1755963486670" TEXT="Bild-10 : 04-fcp-precision-editor.jpg">
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<richcontent TYPE="NOTE"><html>
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<head>
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</head>
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<body>
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<p>
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das Bild hatte ich lediglich stärker komprimiert, um Platz zu sparen
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</p>
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</body>
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</html>
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</richcontent>
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<icon BUILTIN="stop-sign"/>
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</node>
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<node BACKGROUND_COLOR="#e0ceaa" COLOR="#690f14" CREATED="1755963612079" ID="ID_785016548" MODIFIED="1755963654882" TEXT="Bild-32 : 10-trim-side.png">
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<richcontent TYPE="NOTE"><html>
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<head>
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</head>
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<body>
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<p>
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hier hat Wouter einen neuen Screenshot gemacht (vermutlich war im alten Screenshot die Position des Cursors falsch)
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</p>
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</body>
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</html>
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</richcontent>
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<icon BUILTIN="messagebox_warning"/>
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</node>
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</node>
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</node>
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</node>
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</node>
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</node>
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<node COLOR="#338800" CREATED="1755895979863" ID="ID_1992562998" MODIFIED="1755912228416" TEXT="Bilder">
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<node COLOR="#338800" CREATED="1755895979863" ID="ID_1992562998" MODIFIED="1755912228416" TEXT="Bilder">
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<icon BUILTIN="button_ok"/>
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<icon BUILTIN="button_ok"/>
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<node COLOR="#5b280f" CREATED="1755895982463" ID="ID_1866766141" MODIFIED="1755896010644" TEXT="erste Idee: ein paar gehen noch....">
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<node COLOR="#5b280f" CREATED="1755895982463" FOLDED="true" ID="ID_1866766141" MODIFIED="1755967722089" TEXT="erste Idee: ein paar gehen noch....">
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<icon BUILTIN="closed"/>
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<icon BUILTIN="closed"/>
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<node COLOR="#7e0907" CREATED="1755896012707" ID="ID_488706942" MODIFIED="1755896074946" TEXT="es ist nun schon ~1MiB">
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<node COLOR="#7e0907" CREATED="1755896012707" ID="ID_488706942" MODIFIED="1755896074946" TEXT="es ist nun schon ~1MiB">
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<icon BUILTIN="messagebox_warning"/>
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<icon BUILTIN="messagebox_warning"/>
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@ -181,7 +238,7 @@
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<icon BUILTIN="yes"/>
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<icon BUILTIN="yes"/>
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</node>
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</node>
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</node>
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</node>
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<node CREATED="1755895992723" ID="ID_1113999129" MODIFIED="1755896023247" TEXT="dann doch wie die anderen GUI-Proposals">
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<node COLOR="#435e98" CREATED="1755895992723" FOLDED="true" ID="ID_1113999129" MODIFIED="1755967718621" TEXT="dann doch wie die anderen GUI-Proposals">
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<icon BUILTIN="yes"/>
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<icon BUILTIN="yes"/>
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<node CREATED="1755896278579" ID="ID_16865890" MODIFIED="1755896331341">
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<node CREATED="1755896278579" ID="ID_16865890" MODIFIED="1755896331341">
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<richcontent TYPE="NODE"><html>
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<richcontent TYPE="NODE"><html>
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@ -241,7 +298,7 @@
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</node>
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</node>
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</node>
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</node>
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</node>
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</node>
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<node COLOR="#435e98" CREATED="1755896607779" ID="ID_1633116994" MODIFIED="1755912136569" TEXT="Layout-Fehler im CSS">
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<node COLOR="#435e98" CREATED="1755896607779" FOLDED="true" ID="ID_1633116994" MODIFIED="1755967715482" TEXT="Layout-Fehler im CSS">
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<icon BUILTIN="broken-line"/>
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<icon BUILTIN="broken-line"/>
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<node CREATED="1755896623302" ID="ID_1537354999" MODIFIED="1755896781569" TEXT="alle Bilder sind unnötig eingerückt">
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<node CREATED="1755896623302" ID="ID_1537354999" MODIFIED="1755896781569" TEXT="alle Bilder sind unnötig eingerückt">
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<richcontent TYPE="NOTE"><html>
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<richcontent TYPE="NOTE"><html>
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